wandering spirit designs

More Work

Another BIG focal that has been cored w/ bead caps in Bronzclay. I had to grind on my Impress Bead Liner to get it to fit, lol. After about 30 minutes of futzing around and learning about carbide grinders, it finally fit *snugly* into the press.
The sterling silver cored big hole bead is up on Etsy. Love the colors! I’m crazy about the blue and mustard look together.

Extreme Busy-ness

I’ve been absent due to extreme busy-ness, lol. I have around 70 hollows for the show in November and think I need to triple that amount. If they don’t sell, I’ll have plenty of stuff to put up in my Etsy shop. Speaking of Etsy, I just listed the trio set and finished a special order for a customer.

What I’m most excited about is my large hollow focal that I cored. The colors don’t show nearly as well here as they do in person. I’ve realized that I’m horrible at photographing jewelry, lol. The pendant is 1-1/8″ x 1-1/4″ or 28.5x32mm. The bead caps are Bronzclay and for me, the rustic/organic look is really jivin’ with me, but I’m not sure if my (potential) customers would feel the same.

The Press Arrived!

My Impress Bead Liner arrived this weekend and I’ve been coring like a mad woman when I had the time. I now totally understand why beads done this way are so much more costly- it takes quite a while to get everything ready- measuring, cutting, deburring, filing, coring..THEN you take pics after admiring. I haven’t broken a bead, but I did tear the tubing on the first three beads I did- too much enthusiasm?

As much as I love this press, there is a huge problem w/ size impediments. My hollow beads are LaRgE and chubby and the press is only so wide- I supposed most people use this for their small cored beads that go on Pandora, etc. bracelets, but I had to be a rebel. So now I have a dozen or more hollows that won’t even fit into the press to get lined 😦
I’ve been waiting on pins and needles for Dave to custom fabricate smaller pegs so I can core my 3/32 and 1/8″ hollow focals- now I have to concentrate to make ones that will fit into my press.

We won’t tell hubby that the next big purchase will prolly be a (whisper it now) Jim Moore press. Maybe he’ll consider it my Xmas present?
One nice thing I noticed is that there is some leeway in imperfect bead holes- you know how sometimes you have a slight high spot or not much of a pucker where your glass caught too far out? As long as it’s not too extreme, you can core it and you can’t tell it wasn’t perfect in the first place.
So here are some pics- I hope to get some of these listed tomorrow on Etsy:

Coring my Beads

It was so fun getting to try the different presses available for big hole beads. My very first try was the cobalt blue w/ the bead cap on the Impress Bead Liner by Dave Fousek. Hayley was sweet enough to give me some sterling bead caps to try on my beads. The rounded look of the tubing appeals to me.

I learned how important the length of tubing is since I ruined a couple beads by ripping the metal. Could be I used to much force btwn turns, too.
My favorite is the copper capped ivory bhb, the different metals compliment the bead so well. Sadie gave me the wonderful bead caps on that bead- all these nice bead caps make me feel like trying to make my own in metal clay…hmm.
The pretty green bead is one of Hayley’s that she let me use as a test bead.

The Jim Moore press was very nice, although you’re not able to get that nice rounded look in the tubing. And my favorite part on his press is the plastic die that helps push the tubing flush w/ the glass which makes the bead look so nice and professional looking.
Right now it’s out of my price range since I couldn’t justify spending over 300 dollars for something I may not use all the time.

Dave’s Impress is very economical the different size pegs aren’t as expensive as Jim’s. Of course it’s all a matter of perspective- if you always get the best tools for your money, then Jim’s would probably be your best bet. Since I’m just starting out w/ coring beads, I figured Dave’s is a great start and eventually I hope to buy Jim Moore’s press if I continue to core my glass beads.

I noticed Hayley and Sadie ended up using BOTH presses during coring on a lot of their beads. If they wanted the rolled look, they’d use Dave’s and finish up on Jim’s using the plastic dies to get the tubing super flush w/ the bead. Ahh, if only we could combine the two and make the perfect bead liner..

Now I’m waiting *impatiently* for my Impress Bead Liner to come in the mail so I can play!

P.S. I would recommend Dave’s Deburring Tool regardless of which press you have since it saved us SO much time in prepping the tubing!

Etsy Update

Can’t believe it’s been more than a week since I’ve updated! This past weekend was crazy, yet wonderful since I got to see my Beady Gal friends up in San Fran on Sunday and they kindly let me try all the different coring tools for beads to see which one I like best. Jim Moore’s and the Impress Bead Liner was neck and neck, but there were positives and negatives for both. I’ll go into more detail tomorrow once I get some pics..

Here are the two things I plan to list on Etsy shortly, still not over my love for the crackle look.

I would have had tons more to list if my friends hadn’t descended upon my hollows like locusts and decimated my supplies Sunday, lol. It’s always nice to have people appreciate your work!

They also told me I was pricing my work way too low after they saw the size of each bead, hence the price increase. I realized I was barely covering cost pricing them so low- so those who got those first half a dozen sets, lucky you! 🙂

Slip Painting Again

Slip painting is harder than it looks, let me tell you. Or maybe I’m just not doing it right? If you look closely you can see how my lines look slightly imperfect *ok, let’s not belabor the fact that it’s more than slightly*..what do most people who slip paint so to keep their lines, etc. looking perfect? Is it just lots and lots of practice or something else?
I tried to correct my mistakes by using one of my half round files and sanding the edges, but it’s still not quite perfect. Maybe I should embrace the idea of Wabi Sabi and be happy w/ what I’ve accomplished? Hmm, maybe that’s a better idea, lol.
Still obsessed w/ this style- is it too odd? I hope not since I’m compelled to keep doing it. It’s starting to feel like a stylized type of architectural line drawings..only w/ numbers and other symbols worked in.

Now the main thing I’m worried about is trying out shelf firing a la Angela Crispin and Catherine Davies Paetz on the hollow forms- has anyone done hollow forms successfully this way?