Apologies for the quick and dirty pic, wanted to have a step by step history for myself. Enjoyed doing my own version of Zentangles on some of the pieces. Depending on how these turn out, some may be used as bead caps on my hollows.
Slip painting is harder than it looks, let me tell you. Or maybe I’m just not doing it right? If you look closely you can see how my lines look slightly imperfect *ok, let’s not belabor the fact that it’s more than slightly*..what do most people who slip paint so to keep their lines, etc. looking perfect? Is it just lots and lots of practice or something else?
I tried to correct my mistakes by using one of my half round files and sanding the edges, but it’s still not quite perfect. Maybe I should embrace the idea of Wabi Sabi and be happy w/ what I’ve accomplished? Hmm, maybe that’s a better idea, lol.
Still obsessed w/ this style- is it too odd? I hope not since I’m compelled to keep doing it. It’s starting to feel like a stylized type of architectural line drawings..only w/ numbers and other symbols worked in.
Thought I’d get some carving practice in since I haven’t tried it yet for metal clay. These are back sides of pieces I haven’t fired that have just been sitting around. I carved them in order: 7, 9, 3 and lastly 5. It’s easier when the number is bigger w/ the size of nib I was using- a #1 on my Speedball cutter.
The numbers were free-handed w/ pencil onto the copper clay, this was pretty fun and relaxing..as long as you don’t mess up, lol.
Another thing I’m wondering is whether it’s a little easier to carve the pieces when the clay has just dried instead of these pieces that have been waiting for weeks to be fired? Hope to get around to testing my theory this afternoon if I have time.
Not sure what it is about using odd numbers, they seem to look better to me for some reason.