Just a quick shot of the fired bronzclay hollow forms- my free form number hollow bead on the right developed a few fine cracks and must have had a weak spot of the back since it has the most damage. It was fired on its side, so maybe I sanded it too much- can’t say as I really remember since the forms were made more than a year ago.
I’d like to get a nice patina on them that is a little more permanent than what the firing medium gives. Any suggestions?
The blog has been woefully neglected (again) while I’m trying to get as much done as possible during my short spurts of free time, i.e. nap time. As my dad loved to say, “I’m busier than a one-legged man in an ass kicking contest.”
Not sure if the slip-painted pattern on the left is too weird- the inspiration came from two different sources: the grease trail in my frying pan and one design from a book of quilts.
Oh, and these are some of the bronzclay hollow forms from more than a year ago that I’m finally getting around to using. Good thing they don’t go bad- although they’re hard as rocks to try and carve..hence, the slip painting.
Slip painting is harder than it looks, let me tell you. Or maybe I’m just not doing it right? If you look closely you can see how my lines look slightly imperfect *ok, let’s not belabor the fact that it’s more than slightly*..what do most people who slip paint so to keep their lines, etc. looking perfect? Is it just lots and lots of practice or something else?
I tried to correct my mistakes by using one of my half round files and sanding the edges, but it’s still not quite perfect. Maybe I should embrace the idea of Wabi Sabi and be happy w/ what I’ve accomplished? Hmm, maybe that’s a better idea, lol.
Still obsessed w/ this style- is it too odd? I hope not since I’m compelled to keep doing it. It’s starting to feel like a stylized type of architectural line drawings..only w/ numbers and other symbols worked in.