lampwork

Moooo-vin’ on Up

I heart Moo products, they always make my work look even better. The business cards go into each package getting sent out and anything over $50 gets a postcard, too, since they’ve gone over pretty well.
Have a Happy Easter, everyone! I hope to start taking progress shots of my studio getting put together since my contractor guy is going to give me an estimate and hopefully get started next week. Yahoo!

Big Daddy

The last few times at the torch I’ve been trying to work small, as you can see the smallest hollow bead is approx. 11x16mm. As customers keep asking if they could get smaller hollows, I thought it couldn’t be too hard to make them smaller…Yesterday, I couldn’t take it anymore and my hands decided to try and make the biggest hollow yet- it measures in at 37x49mm, which is nearly 2 inches across. And this made me think what else I could make bigger- smaller sculptural focals, perhaps? Who knows, the big daddy took me more than 30 minutes on my Minor torch and it was a decidely delicate dance keeping it warm enough. It’s always nice to feel my creativity start to percolate and see new possibilities.

Lotta WIP

I have lots to do this weekend before hubby is gone for a week- this is just some of it, lol. Resin is a pain in the bootay to photograph due to glare, etc. I’m still on the fence about Ice Resin, but ‘a carpenter can’t blame his tools’ so I’m going to do some more research and try try again. The beads need to be cleaned and etched..meh.
I hope to get this work listed next week..and I hear my little man crying, so much for that afternoon nap.

Slow Progress

I feel like the tortoise instead of the hare trying to get my inventory built up for my first show next month. But I suppose since the tortoise won in the end, this sort of progress is good. My Etsy shop will be lacking in love and new items since most everything will be going w/ me to Oakland.

After making these and falling in love it reminded me of a friend saying she could never work in an animal shelter since she’d fall in love w/ all the animals and want to bring them home. My beads have metaphorically morphed into cute animals that I don’t want to let go, lol. But just like at the animal shelter, these beads need good homes, too. 🙂

One possible reason I may not want to let them go is due to the amount of work invested into each one. The beadcaps are made by me as is the bead and then they’re cored after all the prepping is done on the tubing. At least an hour’s time is put into each bead- this isn’t including the times in the kiln for annealing the bead and firing the bronzclay.
Now I’m just waiting on more sterling and copper tubing to come in the mail so I can get more made. Ordered from Metalliferous and they were super nice and had awesome prices!
I’ve been field testing a smaller peg w/ my Impress Bead Liner and it’s mucho easier adding bead caps instead of trying to just core the bead. I’m not sure why, maybe it’s just me. Doing beads like this also makes me think sterling tubing is a little more ‘elastic’, I guess you could say, than copper. Or maybe I just need to compensate and cut the copper slightly shorter. Anyhoo, it’s still a work in progress, but I’m so glad to be able to make this style that has been stewing in my mind for a while now.
Let’s just hope they do well at the show..

More Work

Another BIG focal that has been cored w/ bead caps in Bronzclay. I had to grind on my Impress Bead Liner to get it to fit, lol. After about 30 minutes of futzing around and learning about carbide grinders, it finally fit *snugly* into the press.
The sterling silver cored big hole bead is up on Etsy. Love the colors! I’m crazy about the blue and mustard look together.

The Press Arrived!

My Impress Bead Liner arrived this weekend and I’ve been coring like a mad woman when I had the time. I now totally understand why beads done this way are so much more costly- it takes quite a while to get everything ready- measuring, cutting, deburring, filing, coring..THEN you take pics after admiring. I haven’t broken a bead, but I did tear the tubing on the first three beads I did- too much enthusiasm?

As much as I love this press, there is a huge problem w/ size impediments. My hollow beads are LaRgE and chubby and the press is only so wide- I supposed most people use this for their small cored beads that go on Pandora, etc. bracelets, but I had to be a rebel. So now I have a dozen or more hollows that won’t even fit into the press to get lined 😦
I’ve been waiting on pins and needles for Dave to custom fabricate smaller pegs so I can core my 3/32 and 1/8″ hollow focals- now I have to concentrate to make ones that will fit into my press.

We won’t tell hubby that the next big purchase will prolly be a (whisper it now) Jim Moore press. Maybe he’ll consider it my Xmas present?
One nice thing I noticed is that there is some leeway in imperfect bead holes- you know how sometimes you have a slight high spot or not much of a pucker where your glass caught too far out? As long as it’s not too extreme, you can core it and you can’t tell it wasn’t perfect in the first place.
So here are some pics- I hope to get some of these listed tomorrow on Etsy:

Coring my Beads

It was so fun getting to try the different presses available for big hole beads. My very first try was the cobalt blue w/ the bead cap on the Impress Bead Liner by Dave Fousek. Hayley was sweet enough to give me some sterling bead caps to try on my beads. The rounded look of the tubing appeals to me.

I learned how important the length of tubing is since I ruined a couple beads by ripping the metal. Could be I used to much force btwn turns, too.
My favorite is the copper capped ivory bhb, the different metals compliment the bead so well. Sadie gave me the wonderful bead caps on that bead- all these nice bead caps make me feel like trying to make my own in metal clay…hmm.
The pretty green bead is one of Hayley’s that she let me use as a test bead.

The Jim Moore press was very nice, although you’re not able to get that nice rounded look in the tubing. And my favorite part on his press is the plastic die that helps push the tubing flush w/ the glass which makes the bead look so nice and professional looking.
Right now it’s out of my price range since I couldn’t justify spending over 300 dollars for something I may not use all the time.

Dave’s Impress is very economical the different size pegs aren’t as expensive as Jim’s. Of course it’s all a matter of perspective- if you always get the best tools for your money, then Jim’s would probably be your best bet. Since I’m just starting out w/ coring beads, I figured Dave’s is a great start and eventually I hope to buy Jim Moore’s press if I continue to core my glass beads.

I noticed Hayley and Sadie ended up using BOTH presses during coring on a lot of their beads. If they wanted the rolled look, they’d use Dave’s and finish up on Jim’s using the plastic dies to get the tubing super flush w/ the bead. Ahh, if only we could combine the two and make the perfect bead liner..

Now I’m waiting *impatiently* for my Impress Bead Liner to come in the mail so I can play!

P.S. I would recommend Dave’s Deburring Tool regardless of which press you have since it saved us SO much time in prepping the tubing!